2010/08/23

Wine by the pool

A few weeks ago, and together with some friends (in fact, a wine tasting group, the GMT; more on that another day) and their spouses, we had dinner by the swimming pool. Being in such a company, obviously some selected bottles were opened, coming from Sicily, Ribera de Duero (an excellent Pago de los Capellanes Reserva 2000), Switzerland (a rare and delicious Amigne Fletrie 2000 from the Cave des Tilleuls, Vetroz), and Catalonia.

We started with Taleia, from Castell d’Encus in DO Costers del Segre, already mentioned in this blog. I was interested to taste VRM (Viognier-Roussanne-Marsanne) 2007, from Vins de Taller in DO Empordà, but I was somewhat disappointed; the oak was overwhelming the fruit and spoiling a little a wine with fine potential.

We moved to the reds, including a bottle I brought myself: a magnum of Clos Mogador 1998. Unfortunately, I do not open bottles like this every month; this one was a birthday present from my wife after a particularly memorable tasting session back in 2002. Organized by Vins Noè, we sampled some of the most relevant Priorat wines from the 1998 vintage (reportedly Excellent). Mas Igneus was rated sixth; Clos de l’Obac fifth; Clos Dofí (Finca Dofí nowadays) was considered fourth; Cims de Porrera and Clos Martinet, from the same winemaker (Pérez) but very different, tied for the second place, and the undisputed winner was Clos Mogador. I have lost whatever notes I might have taken that day, but I remember well the enormous structure of the then young Clos Mogador and the broad spectrum of aromas and flavors that filled nose and mouth. At that point in time a discussion thrived: could these Priorat wines (the others were not so different) age well? Clos Mogador 1998 was 40 % Garnatxa, 40 % Cabernet Sauvignon, and 20 % Syrah. The high proportion of Garnatxa, according to some, boded ill for the long-term evolution.

I had the pleasure to meet briefly Rene Barbier, Clos Mogador owner and winemaker, a few weeks ago, and his advice was to drink this 1998 soon.

So I was understandably anxious to open this magnum. (One remark: my experience with magnums is that it is a nice bottle size to open with friends, provided it is not too “special”. If so, I find it difficult to convene a group that can really appreciate it. What do you think?)

In the end, all went well. The wine evolution had been beautiful. The mighty young Mogador I remembered had evolved into an elegant, but still full-fleshed gentleman which integrated the rich secondary aromas with the tertiary developed in 10 years in the bottle. Toasted, mineral, spices, coffee. Great aroma evolution after 1 hour in the glass, and a veeeery long finish.

The rest of the evening’s wines were, in my case, a kind of anticlimax. I had treasured this bottle for years, and I had not been disappointed. Only that now I face the traditional dilemma between drinking wines (relatively) young or giving them time to ripen in the bottle with a little more weight in the latter alternative.

Will I be patient enough?

 
 
http://www.costersdelsegre.es/eng/index.php
http://www.encus.org/en/index.php
http://www.doemporda.com/index.php?action=home
http://www.vinsdetaller.com/in-menu.html
http://www.vinsnoe.com/
http://www.doqpriorat.org/eng/index.php
http://www.masigneus.com/
http://www.costersdelsiurana.com/en/index.asp
http://www.masmartinet.com/
http://www.closmogador.com/

2010/07/30

Wine in restaurants 1.1: La Cooperativa, El Racó, Can Travi Nou

In the Priorat village of Porrera the restaurant La Cooperativa is one of the best choices, with what I may call fusion Mediterranean food, and offers a good example in wine service.

When opening the wine list, the first page holds only two phrases, which say more or less:

• “Our prices are those of our shop plus 2 € per person for service”

• “Remember that the wine and bottle are yours, as you have paid for them, and you are welcome to take away any remaining wine”

As bottle price in the shop is already competitive, this is a restaurant that really is not bleeding their guests by means of wine. Does the rest meet expectations, or is it just a low cost option?

Their wine list is, not surprisingly, centered on Porrera and Priorat wines, with a wide range of producers, big and small. The owner, Litus, is knowledgeable and gives sound advice. Glassware is adequate, as is wine temperature. They willingly decant your wine (once they actually suggested decanting only part of a bottle, as we were going to a tasting in the afternoon, to be able to take away the rest of the wine in the bottle). Also some special wines are on offer for dessert by the glass.

In the medium price restaurant range, La Cooperativa is very close to my expectations in terms of wine service; a list of wines by the glass would be the icing of the cake.



Another interesting restaurant is El Racó, in the village of Sant Climent de Llobregat, close to Barcelona. This used to be a popular eating house and is now evolving into a blend of traditional cuisine and more sophisticated food, devised by the son of the owners.

This is not a wine producing area (rather, cherries are the specialty) and the wine list shows a nice balance, with plenty of interesting Catalan wines and a good selection of wines from other regions. Riedel glassware, properly cleaned with reverse osmosis water. Big and tidy cellar that ensures correct wine temperature. A choice of sweet wines by the glass, including Sauternes for foie. And all this at fair prices. Clearly in the good direction.



Within the city of Barcelona, there are still some masias, or farm buildings, although most of them are dedicated to other businesses (such as the famous one that hosts the FC Barcelona young football players). Some are now restaurants, and one of the nicest is Can Travi Nou.

Unfortunately, the premises and food are let down by wine service. Wine list is attractive, with a good balance among wine zones and producers, and prices are competitive, but glasses are small and of inferior quality, and the last red I asked was so warm that I had to request an ice bucket to cool it down. I know that in some places the excuse can be that they only keep at controlled temperature the more expensive bottles (a poor excuse, especially if they charge 300 % the less expensive bottles), but this one was in the higher price range.

I hope that the management realizes the potential improvements to their service and eventually bring it into line with their otherwise pleasant offering.


I will open a short parenthesis; I’m off to Burgundy, Alsace and Switzerland. By mid-August I’ll be back.

http://www.gruptravi.com/nou/english/historia.html



2010/07/25

Wine in restaurants 1.0

What would be my “blue sky” in a restaurant about wine?
  1. A wine list that has a strong local wine assortment (if in a wine growing country)
  2. In spite of point 1, a wine list that also has a suitable range of wine from other zones. This can be excused in restaurants located right in the middle of a winegrowing area. As a rule: the closer to the vines, the higher the proportion of local wines. Nobody goes to Burgundy to drink Bordeaux.
  3. A wine list that includes not only well known wines but also “hidden gems”. Especially if the restaurant is specialized in creative cooking, I am disappointed if I choose to eat, say, “lamb with liquorice and baby octopuses”, and the most original wine in the list can be found in the nearest discount supermarket.
  4. Good glasses and service, including decanting when indicated, and adequate wine temperature.
  5. A sommelier or waiter that know their wines and give good advice, taking risks and recommending unfamiliar bottles.
  6. Encouraging (or at least not frowning upon) taking away any remaining wine. As a matter of principle, it is the guests’ wine, as they have paid for it. On top of that, if they can take it away they may open another bottle. Additional motivation is given by the ever stricter laws on drunken driving; in a dinner for two, if one person can only have a glass to avoid sleeping in jail, the other had better not empty the bottle.
  7. Opening up the range, and offering wines for aperitif and dessert.
  8. Including an assortment of wines by the glass, with some specific cases (as Sauternes for foie).
  9. Suggesting for each item of the menu a matching wine.
  10. And all this at attractive prices! I can understand a hefty mark-up in the case of old vintages, but it is ridiculous to charge three times the producer price for a bottle that has been in the restaurant only for a few weeks.

I do not include such basic things as well kept wines and a service that does not spill the wine all over. Most restaurants are above that.

 
There are some other things that I consider an added bonus (as keeping old vintages which are unavailable otherwise), but these 10 points, adapted to every restaurant circumstances, should be a must.

 
From time to time I intend to post comments on restaurants about in which degree the preceding items are met. I know that it is difficult to meet all these requirements (there is some tension between the 9 first ones and the last) but I find that many fine restaurants regarding food are sadly behind in matters of wine. Fortunately, there is a positive tendency of improvement that cannot be ignored.

 
Although I am also crazy about food, I will usually not make any comments. Only if I feel that the food’s price-quality ratio is poor will I mention it.

 
Let us hope that the present trend will continue!

 

2010/07/17

Empordà: wind, wine and genius

The DO Empordà is included in the wider Empordà district, tucked away in the northeast corner. Apart from its wines it is a fascinating area, with the incredible rocky coastal scenery of the Costa Brava (the real stuff, not Lloret) and the lower Pyrenees as they get close to the sea. As the legend goes, Empordà is the place where a mountain shepherd and a mermaid met and lived forever. Not less interesting are its monuments and museums, from menhirs to surrealist art.

This diversity is shown on its cuisine, with a defined personality and a vast choice of quality products from sea and land, further enhanced by the creativity generated by the Tramuntana, the North wind that is reputedly the cause of a degree of healthy madness (or genius) present in illustrious empordanencs like Salvador Dalí. Even El Bulli’s chef, Ferrán Adrià, born close to Barcelona, may owe part of his sparkling inspiration to living and working in Empordà.

Phoenician and Greek settlers in Rhode (now Roses) and Emporion (Empùries, hence Empordà) introduced winemaking 2600 years ago; and monk Ramon Pere de Noves from Sant Pere de Rodes abbey wrote a treatise on winemaking in the 11th century. Wine is certainly not a newcomer to these lands.

The DO is divided in two separate zones. The Alt (high) Empordà is at the extreme corner (in the precipitous and rocky Creus Cape part of the movie The Light at the Edge of the World was shot) of Catalonia; the Baix (low) Empordà is a smaller plain around Palafrugell limited by coastal hills.

Soils are poor, acidic and sandy, with some slatey mountain slopes. The frequent Tramuntana, that can be quite strong with gusts over 100 km/h, is very good for the vines health as it keeps them dry. Sea breezes help to soothe the heat in the summer months.

Empordà produces white wines with Garnatxa blanca, Macabeu and Moscatell as main varieties. The also local Xarel•lo, Gewurztraminer, Chardonnay and some other foreign grapes are used but less frequent. Whites tend to be fresh, light and aromatic, to be drunk young as a general rule.

Rosé wines are usually made from Garnatxa and Carinyena. These two grapes, very often from vines 30+ years old, are the basis of the reds as well. More recent Cabernet Sauvignon, Ull de Llebre (aka Tempranillo), Merlot, Monastrell and Syrah also find their way into the bottles. Reds can be dark, complex, with big structure and good aging potential.

Very remarkable are the natural sweet wines, mainly coming from Garnatxa grapes.

Castillo de Perelada (not the lower, mass produced range), Empordàlia, Espelt, la Vinyeta, Martí Fabra, Masia Serra, Oliver Conti, Pere Guardiola, Vinyes d’Olivardots, and Vinyes dels Aspres are for me the most interesting wineries of a zone that is steadily reaching a high level in most of the very diverse wine types it offers.

A visit to any of the wineries followed by a taste of its wines is a great addition to a stay in these crazy, wonderful lands and an opportunity to meet the progeny of the mermaid and the shepherd.


http://www.castilloperelada.com/
http://www.lavinyeta.es/en/
http://www.empordalia.com/eng/index2.htm
http://www.espeltviticultors.com/
http://wines.masiaserra.com/Celler.aspx
http://en.pereguardiola.com/home.html
http://www.olivardots.com/
http://www.oliverconti.com/English/Home.html
http://www.vinyesdelsaspres.cat/

2010/07/08

Mas Sinén: the masia at the end of the road

Mas Sinén is at the end of 2 km of dirt track starting from the village of Poboleda’s comparatively huge church (popularly known as the Cathedral of Priorat). This small winery, with the official name of Celler Burgos Porta, was started seven years ago by Salvador Burgos and Conxita Porta. Salvador has long experience in the wine world, having led the Poboleda Cooperative for several years and taken part in the Mas Igneus project, and comes from a family with winemaking tradition starting in the early 1800s.

The couple revitalized the estate, which included old vines in costers and a 17th century masia (country house), overhauled the main structure to house the winery and built a partially underground aging cellar. Wine goes from winery to aging cellar by gravity.

The old house is surrounded by the vineyards, with soils in which the slatey llicorella predominates. In the higher reaches, the steep costers hold the old Carinyena and Garnatxa vines while the lower grounds have been planted more recently with Cabernet Sauvignon and Syrah. Vineyard management follows the rules of the Catalan Council for Ecological Agriculture Production (CCPAE) and bottle labels are stamped to that effect. They are now also embracing biodynamic farming practices.

Technical management is in the capable hands of Toni Coca, a well known consulting oenologist of several Priorat and Montsant wineries.

Production is small and self-limited, with a maximum of 25.000 bottles not yet reached. The remaining grapes are sold to other wineries.

In selected years they produce a white, Mas Sinén Blanc, 100 % Garnatxa Blanca with 5 months aging in French oak. It is well structured, round, with slight wood hints, buttery and with a lot of fruit.

As for reds, the Mas Sinén Negre is a blend of Garnatxa, Carinyena, Cabernet Sauvignon and Syrah, aged for 12 months in French oak. Moderately deep cherry red, very clean to the eye, with aromas of tobacco and black fruit. In the mouth it is velvety, without outstanding tannins, confirming the black fruits and with a long finish.

The top wine, Mas Sinen Coster, comes from the older vines of Garnatxa and Carinyena, growing in the steep costers, and is aged for 12 months in French oak. It is one step ahead of its brother in everything: deeper colour, more complex and intense aromas including red fruits (cherry) and leather notes. In the mouth is bigger, more powerful, with a very long finish and more mineral notes. I am not a fan of very old wines, but I am curious to see its development over 10 to 20 years.

It is a pity for us Catalans that a lot of the already small production is exported, boosted by high ratings from Parker. However, it is a good excuse to visit Priorat’s rugged terrain and hardy people and share a bottle.


http://www.doqpriorat.org/eng/index.php
http://www.massinen.com/
http://www.masigneus.com/
http://www.domontsant.com/


2010/06/30

Wine in the cloister



In the Middle Ages, life in the monasteries revolved around the cloister. Apart of serving as communication, it was a place in which monks walked, relaxed and meditated.

Nowadays these monuments are put to many other uses. In Sant Cugat del Vallès, the town where I live, there is an Abbey with a  magnificent cloister from the 13th century with 140 beautifully carved capitals. As most cloisters, it is warm in winter and cool in summer. All this makes an ideal setting for a popular wine tasting event, perhaps not very scientific, but enabling a lot of interaction with the winemakers.

And that is what took place last Saturday as part of the local fiesta. Organized with the usual (this being the 11th edition) efficiency by the Vins Noè wine club, there were eight wineries, five of them Catalan. Of the other three, a special mention to Bodegas del Jardín, the new enterprise of the Guelbenzu family after selling the Guelbenzu brand (Lautus, Evo), with similarly excellent wines.

First winery in the row was Castell d’Encus, from the DO Costers del Segre. This is a project, led by Raül Bobet of former Torres fame, with vineyards at a height of 800 – 1000 m, expecting climatic change to raise the temperature in the coming years, and using gravity for grape movement and geothermal energy as much as possible. However, they also do use some ancient vats carved in stone for some fermentations.

I liked Taleia, a blend of Sauvignon Blanc and Semillon, flowery and citric, and Ekam, a 100 % Riesling, somewhat disappointing if you expect a full bodied varietal, but very fresh, and showing the aromatic profile of the grape. Also very interesting was ThALARN, a 100 % Syrah fermented partly in oak, partly in steel, and partly in the above mentioned stone vats. This may be the reason of the complexity of aromas, especially of red fruits.

From the DO Catalunya, Ca N’Estruc offered a new wine, the white L’Equilibrista from Xarel•lo grapes and fermented in oak. A pleasant surprise: big, rich and a worthy match to the red version, out of Syrah, Garnatxa and Carinyena and fourteen months in French oak.

Next winery was La Vinyeta, from the DO Empordá. This company has a curious preference for complex blends; I tasted three wines and the simplest included four kinds of grape! The Llavors red is a blend of Carinyena, Merlot, Cabernet Franc, Cabernet Sauvignon and Syrah. Kept for five months in French, Hungarian and Romanian new oak, it is complex to the nose and very well rounded, with an already good integration of alcohol and oak.

The Celler Dosterras (DO Montsant) offered a very light and fresh white, Eterna Flor, and two reds: Vespres, from Garnatxa and Merlot, and the big, complex and mineral Dosterras, 100 % old Garnatxa with sixteen months in French oak and 12 months in bottle.

I could not taste the Cava from Bertha. Time was up; with fine wines and surrounded by walls eight hundred years old, what are two hours?

 
 
 
http://www.vinsnoe.com/
http://www.encus.org/en/index.php
http://www.costersdelsegre.es/eng/index.php
http://www.torres.es/eng/asp/index.asp
http://www.do-catalunya.com/english/engmenu.html
http://www.lavinyeta.es/en/wines/prologue/
http://www.doemporda.com/index.php?action=presentation
http://www.dosterras.com/english/index.html
http://www.domontsant.com/
http://www.crcava.es/catala/flash.html
http://www.cavabertha.com/eng/index.htm

2010/06/24

Priorat, the hidden phoenix

In the 70’s, when I was in my teens, my father would sometimes bring home a demijohn of Priorat. It contained a dark, strong, sweetish red wine. In a nutshell, that was the definition of Priorat in those years: wines were rough, very alcoholic (perhaps 16 – 19 %) and usually unbottled. And in many cases, exported elsewhere to give body to less muscular wines.

Priorat boasts a long tradition in winemaking; indeed, the name itself comes from the Carthusian Priory at Scala Dei that fostered winemaking in the area since the 12th century. And before that, wines from the Tarraconensis had been on high demand at Imperial Rome’s best tables.

However, Priorat villages, once rich and prosperous when French wine production all but disappeared due to Phylloxera, were sinking steadily into nothingness due to the high cost of vine growing and low prices of the final product, as it was then. Population had shrunk by half in 100 years.

Suddenly, at the end of the 80’s, a small group of pioneers (Barbier, Glorian, Palacios, Pastrana, Pérez), with great winemaking know-how and even greater faith in Priorat’s potential, started 5 tiny cellars and spawned a handful of wines (Clos Mogador, Clos Erasmus, l’Ermita / Dofí, Clos de l’Obac, Clos Martinet) blending grapes of old Garnatxa and Carinyena vines with younger ones of Cabernet Sauvignon, Merlot and Syrah.

With their winemaking prowess they created wines that were dark, big and strong, but also mineral, well rounded, with the alcohol (13.5 to 15%) well integrated in the structure, and showed that Priorat could supply world class reds that, additionally, had a distinct personality.

Just a remark: I said “world class reds”. Curiously, while in most languages red wine is called red (rouge, rosso, rot...) in Catalan it is called black (negre). Has it something to do with Priorat’s rich colour? Who knows...

After the pioneers others came, mostly following their pattern, which was further blessed with excellent ratings from the international wine gurus.

Twenty years later the initial wines are still among the best, and with the bonus of consistency throughout these years and the fact that the first vintages have aged well. In the meantime, new stars have appeared: for instance, Cims de Porrera, Clos Dominic, Ferrer Bobet, Mas Doix, Mas Sinén, Nin, Terroir al Límit, Trio Infernal, Vall Llach, to name only some of those whose wines I have tasted. And a number of outsiders to be followed with care.

Apart from the reds, some whites are available, usually based on Garnatxa Blanca with the addition of Macabeu, Pedro Ximenez and Moscatell. And a few winemakers produce natural sweets and rancis, reds oxidized for long years in their casks to a golden, complex finish.

The quality factors at work are several:
  • poor soils of llicorella (slate pieces that reflect light and give good draining)
  • old vines growing in costers (steep slopes in the rocky hills), with optimal sun exposure
  • Mediterranean/continental climate with lots of microclimates due to the hilly countryside, but in general with hot summers with big differences in temperature within the day, very cold winters (for the area), and low rainfall

All this combines to yield very low quantities (around of or less than 1 kg of fruit per plant) that have to be harvested by wholly manual methods. Indeed, some growers still use mules for some of the steepest properties.

With this quality potential and the high costs associated with such kind of vine growing, the best value is found, as I see it, in the upper levels of quality, where production cost is not so critical in final price. However, in the lower quality ranges, although Priorat offerings are excellent, their price makes them comparable to medium-high quality wines of many other regions.

All in all, the development of Priorat has been astonishing for anybody that did not know its potential. My father would have liked to see it now…