Showing posts with label Clos Mogador. Show all posts
Showing posts with label Clos Mogador. Show all posts

2011/02/15

Espectacle by Selecció Ingrid at Auditori

Fifteen months ago I had the luck to be invited to enter the GMT, which has nothing to do with Greenwich or time, but rather surprisingly stands for Grup de Matemàtics Tastavins, or Mathematician Winetasting Group. The other five members are Maths Professors in the Autonomous University of Barcelona (I am a pharmacist by training). I had longed for years to become part of a tasting group, but somehow the expected background of its members did not include this specific profile. Nevertheless, no formulas or equations are needed for the tasting we do: it is basically hedonistic (three different bottles for six people), and we do not rate the wines apart from an informal “Which one do you like best?”

Led by a master wine blogger, Jaume Aguadé of Vins de Catalunya, we have had some memorable sessions; among them the one last week. We tasted three wines that had in common coming from very old Garnatxa negra vines:

  • Auditori 2008, Acústic Celler, DO Montsant
  • Espectacle 2006, Espectacle Vins, DO Montsant
  • Vinyes Altes Selecció Ingrid 2005, Clos Dominic, DOQ Priorat

All three were decanted one hour before the tasting. An additional hour would have been welcome.

Albert Jané, from the family that owns Jané Ventura in DO Penedès, moved to DO Montsant to start his own project, Acústic Celler, in the village of Els Guiamets. Using 60+ year old garnatxa vines (aptly described as “magical old vines” in the label) coming from three small plots with poor sandy soils, and with thirteen months in French oak, Auditori is the top product of the winery.  


It was the youngest of the three wines; it showed in its dark, intense colour with still bluish overtones in the rim, and the comparative lack of tertiary aromas. But anyway the nose was overwhelming, kaleidoscopic, with lots of fruit (mainly red) and spice (at one moment it positively smelt like a pepper-pot) developing over the two hours that we enjoyed tasting. In the mouth acidity and tannins were very present, but rounded and integrated, with length and width. A great wine, and no doubt that a few years in the bottle will help to develop its full potential.

Espectacle Vins is a joint venture of the Barbier and Cannan families, of Clos Mogador and Clos Figueras fame, to make wine from a centenary Garnatxa vineyard in Montsant. The wine is actually produced in the Celler Laurona winery, partially owned also by the Barbiers. Once the fruit is ripe, it is harvested manually in small boxes and kept for one day at 4ºC. After berry selection and gentle pressing the grapes go to a new French oak vat where both alcoholic and malolactic fermentations take place; afterwards the wine is aged for some fifteen months. 


Cherry to crimson in colour, with medium intensity, the nose is extremely complex, with layers of black and red fruit, tobacco, balsamic notes. It fills the mouth but silkily, with great elegance and finesse. 


Espectacle is an intellectual wine. This is a nectar to enjoy reflectively, putting forth all one’s senses, not carelessly. Supremely subtle and elegant, it needs time and wrist work to release its complexity. 


As explained in a previous post, Clos Dominic is a small family-run winery in Porrera, DOQ Priorat. The best cask from its century old Garnatxa vines in La Tena vineyard goes into the Vinyes Altes Selecció Ingrid, named after one of the daughters of the owners, Dominic Bairaguet and Paco Castillo. Fermented with its own wild yeasts, it is aged for eighteen months in French oak. 



Colour is similar to Espectacle, but with higher intensity. The nose is very particular, probably in part due to the non-standard yeasts. Red and black fruit, wild balsamic herbs (rosemary, thyme, all those that grow in and around La Tena), spices, liquorice, cigar box, cocoa, the lot. 
Ingrid Castillo Bairaguet ready to pour for Jay Miller

The mouth is packed with flavour, good acidity, ripe tannins, and the minerality coming from the slatey soil. Round, very long. A wine that impacts the senses. A wine to be enjoyed shamelessly, boisterously.

Towards the end of the tasting, as mentioned before, the question of which was the best of the three came up. As a backdrop, Parker ratings: 94 for Auditori 2008, 96 for Espectacle 2006, and no rating for Clos Dominic Selecció Ingrid…yet.

Auditori was handicapped by its youth, and the jury is still out about the other two. Espectacle or Ingrid? As somebody said, Audrey Hepburn or Marilyn Monroe? George Clooney or Brad Pitt? Rolls Royce or Lamborghini? Probably depends on when, where, with whom, with what…although I have always loved Lambos…



  
http://www.domontsant.com/
http://www.espectaclevins.com/default.asp?pag=230
http://debrujasyvino.blogspot.com/
http://www.cellerlaurona.com/index.php?i=1
http://www.closmogador.com/
http://closfigueras.com./site/?lang=en

2010/08/23

Wine by the pool

A few weeks ago, and together with some friends (in fact, a wine tasting group, the GMT; more on that another day) and their spouses, we had dinner by the swimming pool. Being in such a company, obviously some selected bottles were opened, coming from Sicily, Ribera de Duero (an excellent Pago de los Capellanes Reserva 2000), Switzerland (a rare and delicious Amigne Fletrie 2000 from the Cave des Tilleuls, Vetroz), and Catalonia.

We started with Taleia, from Castell d’Encus in DO Costers del Segre, already mentioned in this blog. I was interested to taste VRM (Viognier-Roussanne-Marsanne) 2007, from Vins de Taller in DO Empordà, but I was somewhat disappointed; the oak was overwhelming the fruit and spoiling a little a wine with fine potential.

We moved to the reds, including a bottle I brought myself: a magnum of Clos Mogador 1998. Unfortunately, I do not open bottles like this every month; this one was a birthday present from my wife after a particularly memorable tasting session back in 2002. Organized by Vins Noè, we sampled some of the most relevant Priorat wines from the 1998 vintage (reportedly Excellent). Mas Igneus was rated sixth; Clos de l’Obac fifth; Clos Dofí (Finca Dofí nowadays) was considered fourth; Cims de Porrera and Clos Martinet, from the same winemaker (Pérez) but very different, tied for the second place, and the undisputed winner was Clos Mogador. I have lost whatever notes I might have taken that day, but I remember well the enormous structure of the then young Clos Mogador and the broad spectrum of aromas and flavors that filled nose and mouth. At that point in time a discussion thrived: could these Priorat wines (the others were not so different) age well? Clos Mogador 1998 was 40 % Garnatxa, 40 % Cabernet Sauvignon, and 20 % Syrah. The high proportion of Garnatxa, according to some, boded ill for the long-term evolution.

I had the pleasure to meet briefly Rene Barbier, Clos Mogador owner and winemaker, a few weeks ago, and his advice was to drink this 1998 soon.

So I was understandably anxious to open this magnum. (One remark: my experience with magnums is that it is a nice bottle size to open with friends, provided it is not too “special”. If so, I find it difficult to convene a group that can really appreciate it. What do you think?)

In the end, all went well. The wine evolution had been beautiful. The mighty young Mogador I remembered had evolved into an elegant, but still full-fleshed gentleman which integrated the rich secondary aromas with the tertiary developed in 10 years in the bottle. Toasted, mineral, spices, coffee. Great aroma evolution after 1 hour in the glass, and a veeeery long finish.

The rest of the evening’s wines were, in my case, a kind of anticlimax. I had treasured this bottle for years, and I had not been disappointed. Only that now I face the traditional dilemma between drinking wines (relatively) young or giving them time to ripen in the bottle with a little more weight in the latter alternative.

Will I be patient enough?

 
 
http://www.costersdelsegre.es/eng/index.php
http://www.encus.org/en/index.php
http://www.doemporda.com/index.php?action=home
http://www.vinsdetaller.com/in-menu.html
http://www.vinsnoe.com/
http://www.doqpriorat.org/eng/index.php
http://www.masigneus.com/
http://www.costersdelsiurana.com/en/index.asp
http://www.masmartinet.com/
http://www.closmogador.com/

2010/06/24

Priorat, the hidden phoenix

In the 70’s, when I was in my teens, my father would sometimes bring home a demijohn of Priorat. It contained a dark, strong, sweetish red wine. In a nutshell, that was the definition of Priorat in those years: wines were rough, very alcoholic (perhaps 16 – 19 %) and usually unbottled. And in many cases, exported elsewhere to give body to less muscular wines.

Priorat boasts a long tradition in winemaking; indeed, the name itself comes from the Carthusian Priory at Scala Dei that fostered winemaking in the area since the 12th century. And before that, wines from the Tarraconensis had been on high demand at Imperial Rome’s best tables.

However, Priorat villages, once rich and prosperous when French wine production all but disappeared due to Phylloxera, were sinking steadily into nothingness due to the high cost of vine growing and low prices of the final product, as it was then. Population had shrunk by half in 100 years.

Suddenly, at the end of the 80’s, a small group of pioneers (Barbier, Glorian, Palacios, Pastrana, Pérez), with great winemaking know-how and even greater faith in Priorat’s potential, started 5 tiny cellars and spawned a handful of wines (Clos Mogador, Clos Erasmus, l’Ermita / Dofí, Clos de l’Obac, Clos Martinet) blending grapes of old Garnatxa and Carinyena vines with younger ones of Cabernet Sauvignon, Merlot and Syrah.

With their winemaking prowess they created wines that were dark, big and strong, but also mineral, well rounded, with the alcohol (13.5 to 15%) well integrated in the structure, and showed that Priorat could supply world class reds that, additionally, had a distinct personality.

Just a remark: I said “world class reds”. Curiously, while in most languages red wine is called red (rouge, rosso, rot...) in Catalan it is called black (negre). Has it something to do with Priorat’s rich colour? Who knows...

After the pioneers others came, mostly following their pattern, which was further blessed with excellent ratings from the international wine gurus.

Twenty years later the initial wines are still among the best, and with the bonus of consistency throughout these years and the fact that the first vintages have aged well. In the meantime, new stars have appeared: for instance, Cims de Porrera, Clos Dominic, Ferrer Bobet, Mas Doix, Mas Sinén, Nin, Terroir al Límit, Trio Infernal, Vall Llach, to name only some of those whose wines I have tasted. And a number of outsiders to be followed with care.

Apart from the reds, some whites are available, usually based on Garnatxa Blanca with the addition of Macabeu, Pedro Ximenez and Moscatell. And a few winemakers produce natural sweets and rancis, reds oxidized for long years in their casks to a golden, complex finish.

The quality factors at work are several:
  • poor soils of llicorella (slate pieces that reflect light and give good draining)
  • old vines growing in costers (steep slopes in the rocky hills), with optimal sun exposure
  • Mediterranean/continental climate with lots of microclimates due to the hilly countryside, but in general with hot summers with big differences in temperature within the day, very cold winters (for the area), and low rainfall

All this combines to yield very low quantities (around of or less than 1 kg of fruit per plant) that have to be harvested by wholly manual methods. Indeed, some growers still use mules for some of the steepest properties.

With this quality potential and the high costs associated with such kind of vine growing, the best value is found, as I see it, in the upper levels of quality, where production cost is not so critical in final price. However, in the lower quality ranges, although Priorat offerings are excellent, their price makes them comparable to medium-high quality wines of many other regions.

All in all, the development of Priorat has been astonishing for anybody that did not know its potential. My father would have liked to see it now…